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Giant Wallaroo Rock Art site



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One of the giant wallaroos at the site.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery

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Wallaroo Gallery is reached by climbing down the steep valley sides to Pine Tree Creek, and then climbing to the rock art site higher up on the other side.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Crossing Pine Tree Creek.

Johnny Murison (at left) is a traditional owner from the Kuku-yalanji people, and he takes his guests on tours of the rock art sites in the vicinity of the small town of Laura, four hours drive from Cairns.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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A Eucalyptus phoenicea (Scarlet gum) had dropped some of its flowers, possibly when local parrots such as rainbow lorikeets were feeding on them. Rainbow lorikeets harvest nectar and pollen, but also eat fruits, seeds and some insects.

The area had been burnt, since we were in the dry season, and periodic burning keeps the tracks open, and provides green pick for macropods such as wallaroos.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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After a steep climb in hot and humid conditions, we reached the Wallaroo Gallery. These dancing stick figures are possibly ancestral spirits.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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This giant wallaroo is outlined in red ochre, and filled in with a mustard coloured ochre.

Below this wallaroo is an upside down spirit figure, and a frieze of dancing spirit ancestor figures, with their hands held high above their heads.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Close up of the frieze of dancing spirit ancestor figures, with their hands held high above their heads.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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This shows the physical relationship on the rock face between the wallaroo, dancing figures with hands above their heads, and the stick figures to the right.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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This part of the rock site is well protected from the weather by a large overhang.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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These male dancing figures are much more substantial, and show long phalluses.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Eel tailed catfish, showing the barbels or whiskers of this species.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Two eel tailed catfish, one without decoration, the other with a white outline and white transverse lines.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Three wallaroos in red ochre, outlined in white ochre, with the right hand example decorated with vertical lines of white ochre.

The small animal between the two wallaroos on the left is a dingo, judging by its thin upcurved tail.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Close up of the dingo.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Close up of the right hand wallaroo.

Note the upraised hands of the anthropoid figure on the right of this image.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery


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Close up of the lower, small wallaroo.

Photo: Don Hitchcock 2023
Location: Wallaroo Gallery







References

  1. Cole N., Watchman A. , 2005: AMS dating of rock art in the Laura Region, Cape York Peninsula, Australia - Protocols and results of recent research, Antiquity, 79(305), DOI:10.1017/S0003598X00114590.
  2. Fillios M., Taçon P. , 2016: Who let the dogs in? A review of the recent genetic evidence for the introduction of the dingo to Australia and implications for the movement of people, Journal of Archaeological Science: Reports, Elsevier Ltd.
  3. McDonald J., Clayton L. , 2016: Rock Art Thematic Study, Report to the Department of the Environment and the Australian Heritage Council, Centre for Rock Art Research and Management, University of WA.
  4. Morrison M., McNaughton D., Shiner J. , 2010: Mission-Based Indigenous Production at the Weipa Presbyterian Mission, Western Cape York Peninsula (1932–66), Int J Histor Archaeol, DOI 10.1007/s10761-009-0096-8, Springer.
  5. Ross, J. et al. , 2008: More than Motifs: the archaeological analysis of rock art in arid regions of the southern hemisphere, Chungara, pp.273–294.
  6. Taylor R., 2002: "Ironwood Erythrophleum chlorostachys in the Northern Territory: aspects of its ecology in relation to timber harvesting", Report to Agriculture, Fisheries and Forestry, Australia.



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